I trace your ribs
In cerulean ink
Dewdrops of blue
On the skin
A connect-the-dots
That somehow
Resembles a unicorn
In calligraphy lines
A unicorn with the stripes
Of your bones
A child of myth
And the Serengeti
A mythical zebra with a horn
They must have had unicorns
In the Serengeti too
And your ribs
And my ink
Must have been
What their pelts looked like
On the walls of mythical hunters
If they had pottery
In the mythical Serengeti
And this cerulean ink
Would stick
I would trace your ribs
On the pottery too
While you are sleeping
The rise and fall of your abdomen
With your sacred breath
The reason the lines would be blurred
Not my tears, my love
Not my tears
-M. Ashley
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Published by M. Ashley
I am an essayist and poet. My work has been rejected by some of the finest journals in America. Fortunately, it also gets accepted from time to time and has appeared in equally fine journals such as Word Riot, Inlandia, Brew City Magazine, and SageWoman, among others.. In 2002, I won the Academy of American Poets Prize for Vanderbilt University.
For no good reason, I possess an unnecessarily dark humor which is why being third generation California Inland Empirian delights me so. My gods are weird. I once won $350 for writing a smartassed essay on “why the wise use of water is important in my daily life”. I am undoubtedly the Greek god Hermes’ special snowflake. I’m pretty sure I got into college via a series of fortuitous clerical errors.
When I had to grow up and get a real job, I decided against it and stayed a writer. I have worked many odd—and I mean odd—jobs to support my habit: PR writer for country music hopefuls, resume massager, WalMart fitting room attendant and switchboard operator, and telephone psychic, just to name a few.
I am also albino. That's why my psychic gifts are so strong. I traded in my pigment for magical foresight, because that's how it works. It gets all technical. Trust me. That's totally how it works.
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