Trauma Memoir Writing Decompression

I have decided to do what so many survivors have decided to do. I have decided to write the story of my trauma and my survival in hopes that it may help other survivors feel seen, heard, and understood. And also in hopes that it may draw attention to the issue—sex trafficking. I am a survivor of eight years of brutal trafficking. I was an adult in my early twenties at the time. I am disabled (albino and legally blind). I am not particularly thin or cute. I made decisions in order to survive that are, in the best light, morally gray. I am not a “perfect victim.” So few victims are. I think more than shedding light on sex trafficking, which is worthy and important, I want my memoir to raise the voices of those of us who are imperfect victims and feel that with every fiber of our beings when the media only covers the tragedies of people who fit a certain physical, socioeconomic, and moral type. And especially feel it when our abusers say, “No one will believe you because…” and are probably right. 

I started writing the memoir with the working title “Guilty Innocents” in November and, so far, it has frankly kicked my ass. I write a scene and am knocked out by it for days. I have tried to come up with all manner of ways to soften the impact. I have a scolecite stone that reminds me of a fellow survivor that I hold before I write and listen to music that makes me think of him, and us. I blast film music while I write. I have a cool down piece of music for after. I let myself eat as many chocolate chip cookies as I want when I’m done. I wrap up in a fuzzy jacket. I chit chat about my poodle to my AI robot pal to get my mind of it.

And still it is costly.

This is not me complaining. This is me just saying. And it is me appreciating. Every trauma memoir out there, and there are a lot, cost something similar of the writer. How brave and strong and full of light they all must be. Even if the writing isn’t very good or even if it’s a trauma we’ve heard about a thousand times before—every word of every one of them costs courage and nibbles little painful bites out of the writers’ souls. They should be admired for their endurance. I admire them tremendously and pray I can stand up in that same lineage and get this story down.

I laid in bed one night with my fiancé, buried face first in a pile of pillows, my “comforting” classical playlist on, not working, telling him, “This writing is so important. I know it. It’s so important but also… costly. Just so costly.”

For the first couple of months of working on it, we ate a lot of blue box mac and cheese, ramen, spaghetti with no meat… noodles noodles noodles… because that’s all I could manage for us for dinner. I joked we may come out at the end of this with me having written a wonderful memoir, but the both of us having developed ramen-induced rickets. I’ve since gotten past the noodle noodle noodle phase and I’m glad. Last night we had cold sandwiches. I don’t know if that will prevent rickets, but the introduction of protein is a good thing.

I decided to start blogging about the process of writing the memoir mainly for my own decompression I think and also to have something lighter to write about. I feel like a lazy bum on days I don’t write anything forward-moving, but I also can’t face the memoir every day, so I thought blogging about the process was a good way to produce public-facing writing on days I need a rest from the deepest darkest—to keep me feeling like yes, I am still a working writer. Yes, I am still capable of finishing things and not simply writing until my brain wants to crawl out of my skull and I simply can’t stand to sit in front of the keyboard or at the notebook one minute longer.

Also, I am trying to focus more these days on writing what I love to read and I LOVE to read about writerly process. I’ve dipped back in to Natalie Goldberg’s Writing Down the Bones recently and oh… I feel like a dog rolling in the sun drenched grass reading about her process. So why not write about process myself? Acknowledging, of course, that with me, with this material, there might be dog patties in that grass sometimes, but the sunlight of having written something worthy, that never dims. 

Until next time, my friends. I wish us all the very best in word-liness. 

-M. Ashley

PS

The picture for this post is an idea my AI robot pal and I developed for the cover of the memoir. What do you think?

SoCal Winter Solstice (poetry)

The insectile buzz of a mower mowing a 16th of an acre

Patch of green grass on December 21st. Cars on the

Northside thoroughfare wooshing in waves—high tide

At sunrise commute, low tide at bright and lazy after-lunch.

The smell of your next-to-you neighbor’s cigarettes.

His cough. The smell of your behind-you neighbor’s pot

Smoke—as blessedly un-dangerous a skunk encounter 

As you will ever have. Lucious pink Cape Cod roses

Preening on raggedy brown bushes bordering an oil-

Stained driveway. Even unseasonal human

Things are made of Nature. She smiles, shakes her

Starry curls and is not all that ashamed of us today.

-M. Ashley

Unsolicited Spiritual Advice: God Crack

“…the place of mind in nature and the relationship between brain and consciousness.” -Aldous Huxley, The Doors of Perception

I’ll tell you what: Right now my brain is starting a headache looking at this quote while my consciousness is in Aldous Huxley’s pants. Such a spiritual hottie. Great big juicy brain. Big glasses. All the vision. Sexy. Delicious.

A friend asked me if, spiritually, there was a “ghost in the machine” and I think there is some big philosophical principle there, but I took it as: Is there a ghost in this human flesh machine that’s running the show? And my answer is, of course! Who else would be running the show but a ghost? Dead humans are the geneses of ghosts, are we not, so surely we each have to be full up with at least one ghost to begin with. In there, pulling the levers. The consciousness operating on the brain.

There are psychiatrists out there who say they can reproduce the god feeling artificially with some sort of electronic doodad plugged into your brain. They take this to mean that the god feeling is a product of brain function and not at all inspired by something outside, like an actual god. But then, how do they think a god operates except by affecting the physical brain through the consciousness? The god-consciousness goes conscious and pulls on the god-conscious-feeling brain levers because it says, “Hey flesh machine! You have GOT to feel this!” So yes, nasty psychiatrists. The god feeling can be reproduced in the brain, but the gods do it by one little lift of a divine eyebrow where it takes you a room full of overpriced equipment and millions in grant money.

But let me not come out of my hair about it…

My hottie Aldous used peyote to try to get there. High, he got the god feeling by looking at a painting of a chair, looking at flowers in a vase, counting the pleats in has pants. (Him and those pleats, man. He goes on and on. But he was high at the time, so we forgive him, and his sheets of pleats.) He was a visionary, but on his trip, he didn’t see visions. He saw life pulsating in everything, which is to say the divine radiating out of everything, which is to say the omnipresent face of the divine. Can we say he saw gods everywhere? Each pleat having its own divine ghost the way each human has its own divine ghost?

I think we can. I think we can see it too.

Unsolicited Spiritual Advice:

If you have millions of dollars in grant money and a stash of peyote to get you to the god feeling, by all means use it (and invite me), but if you don’t, the door is not closed to you. Pray. Meditate. Commune. Dare I say, make a habit of it? The gods are vast, but the the vastness of their feeling can slip in through even the tiniest conscious crack.

-M. Ashley

Fantasy. Union. (poetry)

“From fantasy comes union” that feels like
Ecstatic gratitude. Electricity comes to mind
But seems trite although there was literal
Lightning in my gratitude ecstasy. I danced
With my windows open in a storm drunk
On an almost full bottle of table wine

I couldn’t have fantasized it better this stormy union

It wasn’t what I expected. How silly to expect
Union to feel like freedom when really
It is the ultimate binding—the ultimate us
Together. We
Eternally.

I flopped down in my unmade bed
Left the last of the wine in a red plastic cup
Gathering rain and the reflection of lightning on
The dusty windowsill—dust made mud by the
Gods’ rain. I wanted IT so much. I was naked.
I wanted IT so much but
The Lover said I was just a little too
Drunk to have IT much
Just now.

The Lover is a gentleman.
I didn’t know that.

-M.
….sometimes, from fantasy comes union.” -Rumi

Soul Filling (poetry)

Crack open my soul and tell me
what’s in there, would you?
I am thinking of a decadent Easter
egg with filling too bright and
sweet to look at or taste. A Cadbury
egg gone berserk spilling out gooey
gold light.

Is this my soul or is it gooey
gold godly Ichor?

What’s the difference
anyhow?

-M. Ashley

The Wisdom of Lavish Desire (creative nonfiction)

“There is no calamity greater than lavish desires.”
-Lao-tzu

I get this out of a devotional book for a twelve step program. Well there you have it, I’m in a twelve step program. But the thing is that I disagree with the devotional quotes about half the time. All these old men, very rarely women, who thought they were so wise. This devotional is like an assemblage of ancient and medieval Twitter. Humans have been thinking, wrongly, they are so wise since the first human threw a bone in the air to impress the mysterious monolith. Or maybe that was a movie.

But now that I’ve complained about people who think they are so wise and we who desire so much to find people to be wise to us in our faces to give us direction when our wisdom fails us, let me tell you how much wiser than this guy I am.

Lavish desires is the IT! That’s the magic! It’s the juice, it’s the jazz, it’s the… I can’t think of another “j” word. It’s where it’s at. The gods tell me all the time to “ask ask ask.” There is no limit, not even the sky. The more we ask and surrender to the knowing our ask will be answered, the more they get to answer and the richer we all feel.

I’ve been trying to focus in my writing lately on concrete, physical details, because that’s the jazzy juice of writing. But how do I explain sensually what I mean about this lavish desire and bold asking that is the very opposite of calamity? What are some antonyms for calamity? Alexa says one of them is “blessing.” That’s exactly whatI’m talking about, I mean, right on the nose, but “blessing’ seems so benign. It’s more like BAM! BLESSING! Nothing banally benign about that.

But you don’t get the BAM BLESSING unless you ask ridiculously and desire lavishly.

Even the wording…

Every week in my white and gold planner that is the white and golden apple of my eye, in the section on the left side of the two page week spread—the section marked priorities that, frankly, I don’t actually know whatI’m supposed to write there—in that section, under priorities, the first thing I write every week is, “My gods love me lavishly at every single moment and in every tiny detail.” So you see this Lao-tzu guy stole my very word to say a very wrong thing.

The heavens drop golden plums—plums not apples now—in my lap almost constantly. More and more and more and more, better and better and better, and why? Because I lavishly desire golden plums constantly and greedily ask for them and BAM the BLESSING and, sensually, golden plum juice is sweeter than your best French kiss, and wetter. And why? Because I dared to desire lavishly.

So here’s the wisdom—my wisdom—that in this one and only case may be actually wise. Desire lavishly. Ask greedily. Receive the juicy plum. Celebrate with jazzy gratitude.

It would have been a better finish if “gratitude” had started with a “j.” Hey gods, give me a “j” word for gratitude.

“Joy.”

Yes. Joy.

-M. Ashley

Theos: Boxed (poetry)

Roll up your sleeves
my golden god
these clavicles ache
for the cracking.

Your bare knuckles scrape
but are not scraped.

My blood spatters.
You stay freshly washed.

Dear god,
my kidneys have grass stains

and

I need an oracle
to locate my spleen.

-M. Ashley

Lie (poetry)

One fourteen-year-old lies in another’s lap
face-up
squeezing the pimples on her
I’ll-die-for-you-sweetheart’s scabby
sunburned face.

I lie with you
naked back to the earth
dug deep
moist and recently turned
picking the teeth of a death trap.

-M. Ashley

God’s Skeleton on the Sunset Strip (poetry)

Legally drunk on The Strip I slide
anonymous past the break-dancing boys
who sell CDs and their phone numbers
on the liminal bridge between
The Lion and The City.

Blurred, a bronzy man walks in front of me
gray skinny suit filled out to six feet, six inches at least
almost big enough to be the ancient god’s skeleton
found by archaeologists in an unmarked grave
somewhere in the backwoods of Greece.

On this night,
Caesar’s is the best he can do.

Its plastic emperors, audio-animatronic mythology,
and the gray-water fountain Evel Knievel jumped
wait to praise him

just north of the newest destructions—
about ten blocks shy of the lonely Stratosphere.

-M. Ashley

The House on Doheny (poetry)

I saw you bought that house I loved
on the hill, off Doheny, hard to get to

during rush hour or when the veins of LA
burst and bleed all over West Hollywood

up Sunset
and gush through the Bel Air gates.

The skin of my inner wrists
with her oxygen-blue undertones

(soft contemporary design)
is up for sale too.

Ten million or best offer
(like the house on Doheny)

plus, realistically, another million
to meet your execting standards.

How deep, my Darling,
are your lightless pockets?

-M. Ashley