Easter Portrait (poetry)

All gone to oranges now
once flamed with pink on spring green tendrils
that climbed our matching dresses to touch
the shocking white of our lacy bib collars
accented at the throat with plum satin bows.
My sister smiles a broad white that reflects
my broken child’s hair. I smile with my teeth
out a touch. Light bounces from the lenses of my
half-transitioned Coke bottles, near permanently
dim, to one of my sister’s neatly arranged
auburn Botticelli curls—one twist of many
about her I envy.

We each have one hand on a taxidermy-stiff,
red eyed plush bunny the photographer
shoved between us to encourage
something shared and quiet.
The closest he got us to sisterhood that day
was leaned-away touching at the shoulder—
the furthest torso point from our hearts.

All gone to adulthood now
and Valentine’s Day vacuum cleaners
received with kisses like hand cut doilies,
my sister and I have become
pre-midlife reawakened to something like
crystal-sucking New Agers without
the liberalism, too much nature stuff,
or any urgent concerns about the patriarchy.

I step off the train on a wet, sky-spitting Saturday night
to celebrate my sister’s 29th-again birthday.
There is streaked silver in the puddles through which
the train runs, upside down, loping on to LA.
My sister wears a demure sweater as accent
to a royal purple petticoat that flounces
in the whoosh of the train.
I wear an oversized silver lotus petal with seven
fake stones masking a magnifying glass behind.
We hug.

-M. Ashley

Dearest Dr. Link, I Still Love Your Buttons (poetry)

Your School of Music staff picture made
you out to be so much uglier than
you actually are so
I couldn’t show my friends, so
we couldn’t fan ourselves with our
fangirl palms and drool together over
you.

I couldn’t make them understand the
dark-haired, fair-faced impetus for
trotting a mile to class in
the actual spiked Mary Janes that
made de Sade himself blanch—

what pale, long-fingered hand moving
half notes from here to there delectability made
me choose the long sensuous skirt with
the long sensuous slit, (oh mid 90’s rage!)

what high-toned atonal muscle, what
used-to-be-high-school-outcast humor
made me squeeze my thighs together
surreptitiously between
this-will-be-on-the-quiz cues.

Dr. Link—may I call you Stan—
of course I may, I
was also madly in love with
every single silver button on
your early spring black jacket.

-M. Ashley

Image Is Everything in a College Cafeteria (poetry)

One of the work-study cafeteria
workers took to drawing pictures
with a dry erase pen on the
sneeze guards over the entrees.

There was a speckled pink pig
for pork chops that had a conversation
bubble squeal (exclamation point)
above his terrified head.

There was a smiling, four-legged octopus,
(making him a quadrapus?)
above a tray of congealing seafood pasta
dyed, inexplicably, emerald green.

Mr. Peanut dapper-danced above the
orange peanut butter chicken
and a culturally insensitive meatball
thumbs-upped the scarlet Italian delight.

The artist slept in mornings though
leaving the breakfast sneeze guards bare
and me left to figure for myself
which mystery muffin was which.

I’d choose one at random and quickly
to appease the snarling line behind me
stacking into a long, contemptuous curve,
eyes on my body, eyes on my choices…

And inevitably I’d end up with the
loathsome banana nut which I would
eat alone, hands shaking
huddled in a bathroom stall.

-M. Ashley

Nightmares of Oklahoma (poetry)

It’s going to be over a hundred here
this weekend
so roaches have started coming up
from under the slab. Great big ones
of the outdoor variety looking for water
and morsels of dog food.

It gives me nightmares of Oklahoma,
of poverty, of you
leaving empty syruped peach cans
on the floor,
open cereal boxes on the counter,
making coffee anyway in a machine
the water container of which
was infested with molting nymphs.

You called them albino roaches,
Fucker,
and laughed and said
I was your freakshow baby.

-M. Ashley

Ophelia’s Opal (poetry)

When my grandmother knew she was dying
she picked out an opal for me,
had a ring designed
and sized it,
for the short time being,
for her own hand.
I was an infant then, recently diagnosed
lifelong colorless and could-be blind.

My grandmother was a force—
a farm girl who took beatings
for sneaking away to read,
a young woman who left her family
to work among foul mouthed boys
at the Pentagon during WWII,
a single mother,
a stone wall,
razor tongue,
acid wit,
first female management at the FAA.

She held me at the hospital
in a hallway while the final diagnosis
was pronounced to my parents
in a tiny, sterile room.
Her breast was warm,
though the breathing behind it was labored.
Her embrace was soothing
though her hands were not soft
from folding crust-cut sandwiches in wax paper
for her children or grandchildren’s outings
of uncomplicated youth.

She explored my hot face and closed eyelids
with her wise yet diminishing fingers,
the opal slipping forward and upside down
under her nearly exposed knuckle,
resting against my forehead,
cooling a spot just above my eyes.
She leaned forward and blessed me,
“My dear little Michelle-y,
I do hope you can see.”

-M. Ashley

Perpetrators, Mourn for Yourselves (poetry)

Maybe that’s the hazard in not caring
who the person is inside the meat
you’re butchering. You never know
if that cow is sacred and capable
of reincarnating herself into a fire-
breathing she-bull and reducing you
and your world to ash and manure

to be forked into the compost pile with
all the rest of the world’s shit—used
to grow whatever nasty things can grow

blooming weeds that grow on the empty graves of
all the other calfs you slaughtered
who have since risen in rage at the she-bull’s call.

Mourn for yourselves at those empty graves
putrid ashen shit flowers, droop and die
cycle through your agony endlessly.

-M. Ashley

Hear me read it:

Achieving Adulthood (poetry)

The night you find yourself alone
outside an emergency room
with a concussion
in a bad part of town
having paid a bill
you can’t afford to pay
waiting for a cab and shivering
because it’s February
and you left your coat at work

which is where you were injured
which is where you left blood
on the ground
which is where the first words
out of your boss’ mouth
were to inform you
and your involuntarily closing eyes
that if you reported it
the safety record would be ruined
and no one
would get a pizza party
after all.

-M. Ashley

I still feel guilty about messing up the pizza party. Hear me read it:

My Mother’s Attempted Slow Suicide by Refusing to Eat (poetry)

I hope this is the last time my
Tired ass leaves the seat of
This gray vinyl hospital chair
Turned forty-five degrees to
My mother’s gray blanketed
Hospital bed. She’s being
Discharged today to better things
I hope.

Today—leaving day—
Is the first day I noticed there is
Color in this room. I have nothing
Poetry profound to say about
This presence—the coral and blue.
Nothing you can carry in your pocket when
Your mom attempts slow suicide too by
Refusing to eat—to comfort you. To
Reckon the anger. All the anger.

Except to say the color is there.
The color is there, aloof
Of whether you see it or not.

But do see it. See the color.
It’s there.

-M. Ashley
photo taken at Kaiser Ontario Hospital, Ontario, CA

Missing Frank Bidart (poem)

Oh my poet-y friend… how I have missed thee.
I have missed myself defacing your books with
Purple ink notes like, “Love it!” and “Scary.”

Remember that time I humiliated myself on a
Plane pompously overblowing poetry to a
Stranger who turned out to be a PhD in poetry

My nose in your book
My ass on my shoulders
Me talking out of it

But then you were there for me
For that—for my ass face too
And my starry eyes for you.

-M. Ashley