The Great Easter Suit Tragedy of 1989 (creative nonfiction)

When I was in the sixth grade, my mom bought me an Easter suit from whatever degrading 80s term was used for the children’s plus size clothing section at Sears. In the dressing room, my mom said I was shaped like a spark plug. I had never seen a spark plug, and have still never seen a spark plug, so I have no idea if that was a compliment or not. I ought to look up a Google image of a spark plug when I’m done writing so I know whether to be flattered or devastated when I remember this memory in the future.

The skirt suit was pale yellow. My mom has since said that this is an unflattering color on me. I am albino and my hair is white with yellow tints from the sun. Wearing yellow makes the yellow tints look yellower and my skin, naturally pink, look even pinker. But pale yellow was the only color of Easter suit they had in the chubby girl section, so pale yellow clad spark plug I was the Easter of 1989.

Bad color and all, I loved that suit. It made me feel adult. I think it even had shoulder pads like the glamorous ladies on Dallas and Falcon’s Crest wore. (Everybody remembers Dallas. Nobody remember’s Falcon’s Crest which I’m sure is why it resonates as my favorite).

The suit had a floral blouse that went with, not even attached to the jacket, so adult-like was this suit. The blouse had a floppy floral bow at the collar, also high 80s fashion for the funny ladies who starred in 9 to 5 or Diane on Cheers.

Loved that suit. Just loved that suit.

I was spending Easter with my dad and stepmom that year. On Saturday night we dyed eggs with various PAAS kits, (does PAAS still make the IT kits?). There were the ones where you used vinegar and dipped the eggs in with a wire thing that looked like a brilliantly rearranged coat hanger. There were also the ones where you used plastic stencils and little tiny markers to create floral patterns on the eggs. I liked the stencils best because the product usually came out great, no matter how un-crafty you are, and I was, and am, supremely un-crafty.

One time, doing crafts with the ladies from my mom’s church, we were supposed to glue a doily and a Jesus quote to the back of a glass plate. I fucked it up. Both doily and Jesus quote came out wrinkled and off-center. Supremely un-crafty even when crafting for Jesus, but enough about Jesus, let’s get back to Easter.

We did six metric tons of eggs. I went to bed exhausted from my artistic efforts, looking forward to the hunt the following morning and my dad’s fabulous Easter baskets. My dad was actually a horrible person, but man did he make great Easter baskets! One year I got a new “Club” Barbie center stage in my basket. She was wearing a white “leather” blazer with the sleeves rolled up, like 80s cool cats Don Johnson and the guy who played Tubbs, and she had on a hot pink foofy skirt trimmed in neon green like that Australian chick who did the 80s dance party show on MTV, ending each show with “Wubba wubba wubba…” I believe the Barbie even had a black, mannish hat like Denise on the Cosby Show wore before Bill Cosby decided she got too edgy for the Cosby Show. (Let that sink in for a minute.)

But let’s get back to Easter:

Who gets a whole Barbie in their Easter basket? I did. Fabulous baskets my jerk dad made. And a fabulous hider of eggs too, I might add.

He thought he was so clever. He was like me or, more accurately, I am like him in that both of us hate to get up early. Easter is already an early day, maybe not as early as Christmas with the whole Santa thing, but close. So I think he decided to give himself some extra zzz’s and hide the eggs in the overgrown grass of his backyard the night before. Cleverly.

Except…

The dew. No one counted on the Easter dew. Fresh on the meadow of weedy lawn. Fresh as newborn spring. Fresh as the risen Jesus himself. Fresh dew on the decorated eggs made a bleeding dye Jesus day mess. Who would’ve thunk it, as my dad used to say.

Oh the humanity. Easter egg dye all over my pale yellow chubby girl high 80s fashion suit. But what was I to do? Not hunt? Too late to change clothes. The damage was done. Big splotches of purple all over the straight skirt with the first egg I picked up. What was there to do but to go on going for it.

Oh well, me, that sixth grade spark plug was sure to turn into a pubescent pear by seventh grade. The 80s shoulder pads and floppy bows were turning to 90s 90210 style color blocked blazers. A new suit next year would be as much a necessity as Easter Jesus needed his new ascended body. Let the dye bleed. Let the eggs roll.

-M. Ashley

Happy Easter everyone!

My Mother’s Attempted Slow Suicide by Refusing to Eat (poetry)

I hope this is the last time my
Tired ass leaves the seat of
This gray vinyl hospital chair
Turned forty-five degrees to
My mother’s gray blanketed
Hospital bed. She’s being
Discharged today to better things
I hope.

Today—leaving day—
Is the first day I noticed there is
Color in this room. I have nothing
Poetry profound to say about
This presence—the coral and blue.
Nothing you can carry in your pocket when
Your mom attempts slow suicide too by
Refusing to eat—to comfort you. To
Reckon the anger. All the anger.

Except to say the color is there.
The color is there, aloof
Of whether you see it or not.

But do see it. See the color.
It’s there.

-M. Ashley
photo taken at Kaiser Ontario Hospital, Ontario, CA

Never a Bother (creative nonfiction)

In the third grade, waiting for the little bus that, thankfully, came right to my door, I sat in front of the window and sang Silent Night softly to myself. Christmas had been past for a few months, but it was still cold. Fog pushed into the valley obscuring the park across the street. Very few cars passed on the road. It was day and silent night all at once.

My great aunt and uncle’s living room never really made it out of the 60s, which was and is fantastic. They had a cream colored couch with a burnt orange floral and geometric pattern on it. On one wall, next to a curio cabinet holding Lladro figurines was a plush, burnt orange chair. Over the fireplace on the opposite side of the room, a wrought iron “F” for Foltz stood sentinel. In front of the picture window, where I sat, two low, round plush swivel chairs in harvest gold. None of my cousins nor I were allowed to get into those chairs and spin and spin the way we wanted to, but we were allowed to sit there quietly, once in a while, waiting for the school bus mainly, and turn the chair toward the window.

I had my feet tucked under me in the chair—a minor offense. In 1986, stirrup pants were the rage and mine that day were royal purple. With them, I wore a long, white top with puffy paint film rolls and popcorn boxes on it. For eight, I was quite the fashion plate, due more to my mother than myself, but I was happy to take the credit anyway.

As I sang, I heard my great uncle in the kitchen softly ruffling the onion skin pages of his Bible. He woke up every day at 5am and, before he went off to work at the Santa Fe Railroad yard, he spent an hour or more reading the Bible. Over the years, he read the Bible in just about every translation and formation you can think of. He read all the footnotes about all the Greek and Aramaic and Hebrew. He read all the reference books. He read reference books the reference books referenced. He believed organized religion was the worst thing that ever happened to Christianity.

Many times, he told me about a dream he had when he was a younger man of himself on a crowded ship. The ship troughed so low sometimes, the waves seemed as if they would come crashing down from above. The sky stormed and blustered. The heavy, black clouds obscured even a hint of sky. He told me then, in the midst of the storm, he saw the hand of Christ reach down and beckon him with love. He never forgot it. He carried this in his heart as he studied the Bible each morning. This love he carried in his heart always.

I continued to sing softly. I didn’t want to disturb him.

On my third or fourth round, I heard him get up and pad softly across the living room carpet. I looked up startled and more than a little sheepish. I said, “I’m sorry. I didn’t want to bother you.”

A gentle patriarch, he reached his hand out and patted my head and said, “You singing would never bother me.” He smiled. He turned and walked to the back of the house to get ready for work.

Whenever I sing, I carry that touch with me. I try to carry that love in my heart always.

-M. Ashley

The House Born Around Us

That my address happened to end up in my crotch in this my first attempt at arty photography is sheer Universal genius.

I was not born here. The house was born around my family when we moved to this city when I was four—the best part of all that happened when my parents got divorced.

Right after the divorce, my sister, mother, and I lived with my great aunt and uncle for a while and wore Goodwill clothes. Somehow, in less than a year, my mother was able to afford this house. Maybe it was all the money we saved wearing those Goodwill clothes that had that smell—the other people’s houses smell that must have dishearten my mother as we were between houses and, I know, humiliated my older sister who was sure she was really born royal and this town was all too bottom of the barrel for her. The smell seemed exotic to me and had a whisper to it, something like the ghosts of all the children who ate and played and sweat in these clothes before me.

My family continues to eat, play, and sweat in this house thirty-seven years later. It is now filled with our own ghostly whispers and we are sure to haunt it until the Big One knocks it down. It has been good to us and if all it cost was wearing good will on our backs for a year, it would have been a bargain at twice the price.

-M.

Stuff and Treasure

I have a book of Guy du Maupassant stories. On the cover is an impressionist painting of a woman coming out of the bath, drying her feet. I assume it’s by Degas because he’s the impressionist I did my high school French class report on and, as far as I’m concerned, all impressionist paintings that aren’t famously and obviously by some other painter, were painted by Degas.

Degas started going blind at the end of his career. Tragedy. Tragedy for him and for us. I am legally blind. The tragedy is merely personal. The world does not mourn a loss over the fact that reading, for me, is slow and difficult. I have to be choosy about what I read because it takes so much time and effort. In college, I chose to read that book of Maupassant stories. After college, I chose to read it three more times.

Those stories can be a little like Far Side cartoons. Sometimes you don’t get it on your first shot. Sometimes you need someone to explain the world and the ending to you.

My junior year of college, I had a little time between this and that, who knows—I don’t remember the obligations, I only remember the time in between. There was an in between place on the Vanderbilt campus where four paths met in a sort of pedestrian roundabout. At the center of the circle was a planter overflowing with the campus’ signature Spring gold tulips. At the center of the planter was a blossoming dogwood, shedding its white, covering the ground in floral snow. The circle was bordered by ancient shade trees and magnolias. There were antique style street lamps dotted around. At night, they cast pale blue efficiency light. There were glossy wooden benches.

I was alone in the circle, in the in between time, in the in between place, sitting on one of the glossy benches. I was reading Guy du Maupassant.

I read a story about a man who observes another man’s gaudy, worldly treasures and also his beautiful daughter and wife. That’s the whole of the story—the observations of the one man and the bragging of the other on all his gaudy, worldly possessions. It’s the kind of story that, when it ends, you flip the pages expecting another ending and find only the beginning of another story. Maybe the printer made a mistake.

I stood up from my glossy bench, chewing on it. I went to my other obligation. I went back to my dorm room overstuffed with the detritus of a busy college career. I called my mom.

I told my mom about the story and asked her what she thought it meant. She said it was quite obvious, wasn’t it? The treasure was the women. In all that house full of stuff, (I looked around my own room and was embarrassed), in that house full of stuff,, (I thought about how often I had walked through that in between place circle with its gold tulips and dogwood snow and ignored it on my way from stuff-to-do to other stuff-to-do and was embarrassed), in that house full of stuff, the women were the treasure. The family bond was the precious thing,

I thought about how often I neglected to call home in favor of some seemingly more pressing or interesting stuff. I was embarrassed. My life was stuffed with such stuff.

I told my mom she was an epiphany. I asked her how her day had gone.

-M.

Matchy Matchy on Anyone Else

At some point my mom stopped wearing closed-toed shoes. At some point she went entirely to sandals. California girl gives up on formality. In retirement, she retired fancy footwear. Men ditch the noose. My mom ditched confining shoes.

Hobnobbing with high powered lawyers over million dollar medical malpractice cases, her working life shoes were stunning—more for the sound they made than anything else. Strident strides. Authority on pavement come from the parking lot into the courthouse to win the day and withhold the money.

When my mom came to visit me for the first time in my first apartment as an adult, I heard her long before I saw her. She parked in the visitors’ lot, under my window, and clicked her way through the security gate somehow before I got down there to let her in. The gate yielded for her, or whoever was holding the gate, because of course it/he did.

She was wearing a pale yellow dress and her shoes matched. They matched the dress exactly. Her purse matched too. Matchy matchy on other people looks sickening. On my mother, matchy matchy looks like all is right in Heaven and Earth and nothing evil can touch you here. Her jewelry was gold. The stones in her jewelry were yellow topaz.

All is well. All is well. Heaven and Earth can rest.

She rearranged my apartment during that visit. She had gentle suggestions and the place got a major undoing and redoing. The couch went from the wall to the middle of the room creating a second space against the wall for my desk and piano. The artwork got frames and was properly hung, not puttied to the walls as it had been in my dorm room, my home before this one. Bad adolescent decorating habits carried over. She fixed that.

She bought a purple decorative pillow for my couch to match the purple in the decorative rug I had under my glass coffee table. She made sure my accidentally contemporary living room flowed seamlessly into my accidentally country bedroom. The purple flowed through from pillow to pillows. The floral arrangement on the dining table matched the flowers on my bedspread. The drapes, different colors but the same style, were made and hung by the same pair of hands.

When she left—when she clicked her way back through the gate and went back to my childhood home more than a thousand miles away to knock heads and pointed heels with lawyers who weren’t expecting so much trouble from a woman, I looked at my newly gorgeous apartment and cried. I missed my couch and everything else up against the wall because I didn’t know any better. I missed the curl of the art posters pulling away from their putty.

I missed her clicking more.

I kept my apartment the way she left it: objectively beautified. With only my soft sneakers to scuttle along the scuffed floorboards, the beautiful quiet was too quiet and would have been quieter had I reverted entirely to me. Emptier. Emptier and quiet.

-M.

Reality on Her Fingers

My dad, divorced from my mother for more than ten years at that point, told me that what she really loves is jewelry. She has the bling gene, as we call it. That’s not what he said. That’s a little too clever, a little too kind.

She loves costume jewelry, but has a grounding in the real. Always reality on her fingers. On her left hand, she always wears a blue topaz ring she had made. The topaz is set in a simple, modern swoop of solid gold. It’s meant to show off the stone, bold as a blue diamond. The way she wears it, you would swear it was a diamond.

On her right hand, she wears a ruby set in a cluster of diamonds. The ruby is her birthstone. It is pigeon blood red. It is the best you can get. She had this ring made too.

She wears a little silver ring I gave her. She wears a simple gold chain bracelet on her left wrist.

A touch of reality around her neck too. A shy diamond set in another modern swoop of gold, smaller, more delicate—a stylized teardrop. It sits against a black backdrop, created shadow. The diamond is from her mother’s engagement ring—her mother’s first engagement to my mother’s father.

They took that necklace off my mom when she went into the hospital so it wouldn’t interfere with the MRI. They took her rings and bracelet too.

She had to be in the hospital alone because of the virus. She was there a week. I called her every day, at least once a day. She told me many times about how they had taken her jewelry. She told me many times she was sure she would get it back. She had faith they were good, honest people, and that she would get her jewelry back even though she couldn’t quite remember where they had put it in her room. It seemed she thought about that more than she thought about her infection, her surgery, the second attempt at her surgery, and what life would be like after.

She recovered enough to come home. Once home, it took her another two weeks to recover enough physically and mentally even to want to put her jewelry on again.

She fished it out of her purse. It was all jumbled up in a green, semicircular plastic holder that looked like something you would put false teeth in. All that reality. All her reality. All those gems.

She put the topaz on first. This was what she earned—her badass career—the woman she was before retirement—the woman who made male lawyers quiver and go limp—the woman who could afford a topaz like that and all that swoop of gold.

She put her ruby on next. This was the woman she was born, badass in essence from the start. The little girl who chopped down an entire row of bird of paradise in front of her mother’s house because she didn’t like the way they looked at her when she got home from school. She planted snapdragons there instead. Their fierce little faces were sweeter.

The gold bracelet. She fastened that on herself. She bought it somewhere borderline seedy while on a Caribbean cruise—her first. First of many with a group of globetrotting women, badass as she was, exploring everything, planting their flags everywhere.

She needed help with the engagement diamond necklace. I tried for more than fifteen minutes and couldn’t get it. The clasp is so tiny, I wondered how she ever got it on in the first place as her well kept fingernails are long and lustrous and mine are bitten to the nubs. It should have been easier for me having my actual fingertips to work with, but it was impossible.

She sighed as I handed it back to her. She looked down. “I don’t like to be without it,” she said. “You wouldn’t believe how easily the nurse took it off.”

Finally, she slid the little silver ring with the created pink gemstones I gave her for her birthday on to her little finger. The ring had turned black. Something they injected her with had burned her inside, leaked out of the injection site, run down her arm, and burned off whatever real silver there was on the ring. This was before the MRI. Before the box. Before she was bereft of everything. Before it was all protected.

That silver ring I gave her—the timid whisper that is my life’s contribution to hers, turned black in her illness—she wears it anyway. Right alongside her gold and precious. She wears it anyway.

-M.

It Grows and Grows

Talk about disease.

It puts me ill at ease when my mom starts talking about my grandparents’ cancer—how they were dying at the same time, in hospital rooms next to each other. Lung cancer.

They smoked together. I’m sure he lit her cigarettes when they were dating. A sexy gesture. A sexy pull. Firsthand smoke to firsthand smoke. Breathing in each other’s breaths. Secondhand to secondhand. Thirdhand smoke in each other’s clothes. They breathed it in when they were dancing close.

Thirdhand smoke in their clothes still, even their clean clothes that my mother had to divvy up amongst relatives or donate after they passed. You never really can get rid of the smoke, the breath, the illness, the cancer. It grows and grows.

My mother’s marriage was falling apart as her parents were dying. My father was useless.

One day, after having worked a full day and spending most of the evening sitting at her parents’ bedsides, my mom came home to find that my father had put my sister and I to bed in our day clothes. She tells me he didn’t even bother to take our shoes off. That’s the part she couldn’t get over.

Unemployed and couldn’t be bothered to take our shoes off.

Unemployed and he would do the laundry at three in the morning with all the lights on in the house and Hank Williams roaring from the record player.

She wasn’t spending her evenings with him. He couldn’t throw a toddler’s tantrum, so he chose Hank Williams instead and, “You did say you wanted me to do the laundry, didn’t you?”

The cancer grew and grew.

My grandparents died and my mom got a divorce in the same year.

I once asked my mom if she was glad my grandparents weren’t around to see her get divorced. I asked her if there was some relief in it for her—in their passing. I don’t remember how she answered. I know she spoke, but all I really remember is the silence while she thought about it.

-M.

Christmas Onions 2000

My first Christmas in my first apartment alone, trying to be a big time grownup. I made French onion soup for dinner. I called home to California earlier in the day. I had read a scripture, I told my mom, something about getting my house in order, and I felt I needed to do that, which involved me staying in Nashville for Christmas, again, alone. She wasn’t convinced, but because she couldn’t fly out and physically drag me home, she accepted it. 

I was trying to be so adult. I was trying to prove something, though, looking back, I can’t imagine what. Was I trying to prove that I could withstand severe holiday depression? Was I trying to prove that no matter how badly I wanted to off myself that season, I didn’t need my family to help me not become a statistic?

I called my Hungarian violin teacher after I called my family. He was a big part of my life then as music was a big part of my life. I also adored his stories of escaping communism. Communists used to make Hungarians eat diseased cow meat and chocolate made from blood. Zsolt was also disappointed I wasn’t coming home. He was put off by my choice of Christmas dinner. He said, “Well, maybe you could float an ornament in it and make it more Christmasy that way.” I laughed and felt lonelier by the minute.

God I was miserable then—a miserable sort of miserable that radiated in waves across the country from Nashville to my little city Berdoo.

I was new to keeping my own appliances then, just as I was new to keeping my own household in general. For example, while I had used a garbage disposal many times as a kid growing up, I somehow never learned that putting onion skins down one is not such a great idea. By the time I had all the onions in the Christmas soup pot sautéing with butter, beginning to oddly smell like apples, my garbage disposal was filled to brimming with onion skins. 

I ran the water and turned the disposal on. It growled like an offended demon and the water didn’t go down. It began to spit up chopped onion skins in great belches, making of the sink water a slimy, stinky soup of its own. I stopped the thing. “That was not bright,” I told myself.

I grudgingly lugged my plunger into the kitchen from the bathroom. In retrospect, it is amazing I had a plunger given that, when I first moved it, I hadn’t realized until I was in dire need that toilet paper doesn’t grow on the roll. 

I stuck the plunger to the drain and plunged for dear life. More and more onion skins belched forth from the disposal along with other unspeakable things most likely from tenants past. I sucked everything out that I could. 

The water still didn’t go down. The chopped onion skin and unnamable goo mocked me as it danced its spiral around the sink.

I ended up having to strain all that onion skin and other detritus out of the sink with my bare hand, letting the water slip through, but retaining the chunks that clung to my fingers. I pulled the trash can up next to me and went to town. I think a year might have gone by. 

The sink came clean, the water went down, and the garbage disposal growled happily, its gut no longer sick.

I washed my hands at least three times. I washed the plunger. I raised the plunger over my head and made He-Man muscles. 

“I am the Garbage Disposal Master of the Universe!” I proclaimed to my empty apartment.  

“I am the Garbage Disposal Master of the Universe!” I shouted again just in case the ghosts I lived with hadn’t heard. 

I lowered my plunger and shrugged my shoulders. Shoving the onion skins down the disposal was not the only terrible mistake I made that lonely Christmas. Not by a long shot.