The Writer’s Unsound Love Affair (writing on writing)

You can’t force yourself to love something even if it is philosophically correct. Likewise, you can’t force yourself to not love something that is philosophically incorrect.

I am speaking here not only of foolish wanting when it comes to romantic love, but also of the writing process. If a writer were to be philosophically correct, she would love the “writing” part of writing as much as the “having written” part—the production as much as the product. But we’re all grownups and we know better. Creative inertia is a bitch. The physical act of writing is an unwieldy drudge. We know such an upright love affair was never carried on in the heart of any writer who has earnestly walked this earth.

-M.

Love Notes to Maupassant (writing on writing)

IMG_0365While sitting at my desk today, I glanced over at the tiny pile of books in the left corner. Among these are the only three out of my once mighty personal library that made it with me through all the hasty moving I have had to do in the last few years.

One of them, the most special, is a book of Guy de Maupassant stories. It is a holy artifact. I’ve read it two and a half times. You can see the pages are yellowed with age and use and love. The first short story to ever make me cry, (my favorite short story), is the first one in the book,”Boule de Suif”. When I was writing fiction regularly, I wrote my best stories while reading it. At Vanderbilt in springtime, I used to sit in the late afternoon on a bench in a circle of shade trees at the center of which was a blooming dogwood. The stories made me sigh and think and dream of better for my own work all while the dogwood blossoms fluttered to the ground like snowflakes.

IMG_0368Full of both long notes and clipped marginalia, the book now reads to me something like a diary. My handwriting was better then. I am grateful for that.

Pictured here is a note on, “The Conservatory”. How amazed I was, and still am, at his gifts of humor, twist, and sly revealing.

-M.

Never Write While Hungry (poem)

You’ll roll from aisle to aisle
aimless and slow
eyeballing the shiniest packages first
overhead and at foot
at your groin and at your twitching nose.

You’ll make better bad choices
(still bad choices)
fill your cart with loud
brightly powdered crunchies
that exercise your jaw
but stain your hands
without so much as a goodnight kiss
or any nutritional value at all.

-M.

Character Allowance

My ancient fiction professor at Vanderbilt creaked in his departmental chair and told us about a man he knew who drank Dr. Pepper hot. When work was over, this man would get into his after-fives and stir it in a saucepan over low heat, delicately, like he was handling milk. “Sometimes,” Professor Sullivan said, “it’s all right to let your characters take life a little too far.”

-M.

Poetic Rigging

It’s hard, when you work in poetry, to continue seeing the beauty and magic of poetry. All you see are the mirrors, hooks, and wires; the duct tape holding everything up; the spit and Kleenex it’s made of. Attempting to look past those things is fruitless. Once you have seen them, you will always see them. The trick is to find that beauty and magic in the rigging itself.

-M.