Sunrise: From Nashville to Berdoo

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Late Winter Sunrise: San Bernardino, Inland Empire, SoCal.

Today I am grateful for the sunrise under which I started my morning writing. In the east it looked like the heavens and earth were on fire. In the west the clouds spread in great pink streaks across a periwinkle sky. These are all common things to say about the sunrise, I know.

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Late Winter Sunrise and Hibiscus Flowers: San Bernardino, Inland Empire, SoCal.

I remember The Phantom Tollbooth and how one of the characters our heroes meet is Chroma the Great. He conducts the sunrise like music. Each rising color makes a tone or phrase of its own. I adore that book and I adore the movie and I adore the image. When I lived in Nashville I would sometimes (OK rarely) take a walk at this time of day and a little earlier. I didn’t have to worry about coyotes and other stray dogs trained to be killers there, not to mention actual killers. But in the hour or so before sunrise, I would walk along and look up at the sky and swear I could hear the planets singing as they moved both imperceptibly slow and unbelievably fast. It was as if I were a voyeur to their sacred praise of the gods and each other, crouched in the moist green, as I was, in a simple, working class neighborhood at the center of the Tennessee valley.

So I am grateful for the sunrise this morning and for the planets’ tender singing. It is wonderful to know they sing and praise and move on their courses everywhere, even over the concrete and brown grass, thirsty coyotes and other stray, unloved dogs.

-M.

The Sheep of Little Mountain (poem)

In spring when I was a child,
a red dog barked every day on Little Mountain
where insubordinate sheep swore back at him
and also the shepherd—
their bells clanging against the epithets

The shepherd, hot and blasé about it
by mid-afternoon,
sat in the shade of his trailer
eating cheese and day old bread
he shared with the dog
but not with the foul-mouthed sheep—

that don’t come anymore,
the barking and swearing replaced
with gunshots
and drunk singing
and the chop of ghetto bird blades
echoing against the dead yellow slopes.

-M.

End of the Line Berdoo (memoir)

350px-SanbernardinostnYesterday, on the train, I saw all the ugliest parts of the cities from Berdoo to LA—the Route 66 cities luxuriating in their own decay. I saw the backs of sound walls all helpless against the graffiti, like a tender woman with a black eye someone tattooed over to shame her, permanently. I saw the trash glittering in the sunset—white against scrub and brown like pearls of waste and carelessness. I saw fire from a metal shop shooting up into the darkening sky. I turned my head. The fire turned my head.

I was jealous other cities had prettier stations than Berdoo does, that they had more healthy bike-riding young women and man, that their passengers stepped livelier, looked less like shopping cart ladies, sounded fresher, dressed fresher, came from places and were going to places where they didn’t know what it was like for us at all—we who dwell, and don’t work, and close our eyes, and listen for gunshots at the end of line.

-M.