Great Expectations of Beauty

douglas-booth-as-pip-in-great-expectations-2012-x-450I watched the Masterpiece production of Great Expectations this weekend and it was excellent on many levels. One thing however: The actor who played Pip as a late teen and early twenty was such an incredibly beautiful creature, it was, at times, distracting. By “beautiful” I don’t mean “hot”. I mean beautiful in a classical sense—like a great statue at the feet of which you could sit for hours in inspiration, but that you would never dare touch.

I suppose it shouldn’t be surprising that such beauty could threaten the fall of a masterful plot.

-M.

Dearest Dr. Link, I Still Love Your Buttons (poem)

Your School of Music staff picture made
you out to be so much uglier than
you actually are so
I couldn’t show my friends, so
we couldn’t fan ourselves with our
hot-girl palms and drool together over
you.

I couldn’t make them understand the
dark-haired, fair-faced impetus for
trotting a mile to class in
the actual spiked Mary Janes that
made de Sade himself blanch—

what pale, long-fingered hand moving
half notes from here to there delectability made
me choose the long sensuous skirt with
the long sensuous slit, (oh mid 90’s rage!),

what high-toned atonal muscle, what
used-to-be-high-school-outcast humor
made me squeeze my thighs together
surreptitiously between
this-will-be-on-the-quiz cues.

Dr. Link—may I call you Stan—
of course I may, I
was also madly in love with
every single silver button on
your early spring black jacket.

-M.

Falling in Love with The Tin Drum

80019-coverI was assigned The Tin Drum spring semester of my junior year in college, but what would become the love of my life in novels was uninteresting to me then, when it was made a chore.

But I did at least start reading it then, of course. We always start out with the most productive plans for that sort of thing. So many pages a day, I told myself, and I would be golden by the time the paper rolled around. I lost track of it during the week and had to catch up on a Saturday—a beautiful Tennessee early spring Saturday when the air was warm but the sky was gray and lovely. There was a concert called Spring Rites going on at Alumni Lawn, one short, curvy path from my window. I stood up in my bathrobe and cranked the window open to let the air and music in—to make the duty of reading more pleasant.

It became pleasant. It became so pleasant it began to scare me. I began to fall in love with the language, with the off-center, with the dirtiness, with the grit and grime and beauty of the pit. There was a piss joke and sex in a potato field. There was a mental institution and a singing midget. It was like a circus of the grotesque, the kind I would pass with my nose up at a carnival—the kind that would have my heart beating loudly if a lover were to drag me in by the arm and force me to be human for the few minutes it took to walk through it.

I stopped. My lips were starting to feel full and my sex was tingling. It was too rich. It was too much. I was too young and I didn’t know then, what I know now, the eroticism of fine writing.

I left the book unattended for the rest of the semester, but when it was over, moving away from Nashville for the summer, stopped at a dusky motel on the drive home to California, I picked it up again. Something had told me to pack it in my overnight bag. It seemed fitting to pull it out there, to engage again in our dirty affair on sheets that would illuminate with spreading galaxies if under black light.

-M.

How Do My Breasts Look? (memoir)

go_cougar_womens_tshirtMy first boyfriend and I sweat together in my room with the door closed and his hand under my navy blue “Go Cougars!” T-shirt. I lay on the floor halfway underneath him, one of his creeping hands at the waistband of my white cotton shorts, the other pushing my shirt up. His alien fingers probed their way under the pale pink of my little girls’ bra that had been too tight for months. He didn’t kiss me. He gave me a hickey on my midriff instead and smiled, proud of himself the way he and his friends were often proud of their own farts. He got serious then and tugged at the band of my bra. I lay there bare-chested for the first time with a boy, still wearing my T-shirt that was now rolled up under my chin. He unceremoniously pinched my left nipple, then my right, frowned and announced, “Your boobs look funny.”

I don’t need a whole essay to tell you I never got over that.

In my later teens I’d stand sometimes in front of my mother’s full-length bedroom mirror and pull my Garfield pajama shirt tight over my chest and belly to get a better view of the curve of my breasts in relation to my other curves. I’d shift right and left—diagonal—I’d bounce, look back over one shoulder, turn around with one arm up behind my head, but I couldn’t tell. I’d pull my shirt up and wonder for a while at my nipples. I couldn’t figure them out either. Too big? Too small? Too low? Too pale? I didn’t know.

I once used a French class report on impressionist artists as an excuse to look at a lot of paintings of naked women so I wouldn’t look like a perv for getting close to the page, squinting at them, and comparing. One red-haired woman, all in fading yellow light, a royal blue wrap around her shoulders and her white underthings visible at her waist, appeared to have breasts that went at near right angles at the bottom—her tan nipples pointing this way and that. I thought surely mine weren’t quite as different as that, and even then, some artist found hers beautiful.

When I got older, I got brave once and asked a lover what he thought of the funny-looking breast issue. I should have known I wouldn’t get a straight answer considering his face was between them at the time.

But maybe that’s my problem—thinking “No!” kiss, “Not at all!” nibble, “Absolutely not!” muffled through busy lips—was not a straight answer.

-M.

The Sheep of Little Mountain (poem)

In spring when I was a child,
a red dog barked every day on Little Mountain
where insubordinate sheep swore back at him
and also the shepherd—
their bells clanging against the epithets

The shepherd, hot and blasé about it
by mid-afternoon,
sat in the shade of his trailer
eating cheese and day old bread
he shared with the dog
but not with the foul-mouthed sheep—

that don’t come anymore,
the barking and swearing replaced
with gunshots
and drunk singing
and the chop of ghetto bird blades
echoing against the dead yellow slopes.

-M.

Screw that! …And Here’s a Picture of Me Smoking on a Vespa. (writing on writing)

c62c00d2190d21f290d97a72277536b2I have been going through some deeply dramatic changes in my life lately, not the least of which is my attitude toward writing. I drive myself hard, but it had come to the point where I had actually become cruel and, rather than that cruelty leading to more artistic production, it did the exact opposite and led to nothing but blocks, an acid stomach, and sleepless nights spent fretting and miserable.

All of that until I decided enough of that, took my life in a new direction in all facets, and committed to driving myself firmly, but lovingly.

In that vein, I found this picture the other day and fell in love with it. I’ve decided it’s me and it’s my new thing. When the writing gets tense and I hear the cruel voice start to crank it up, my response is going to be, “Screw that! …and here’s a picture of me smoking on a Vespa.”

(Because that lady looks all kinds of “screw that”, doesn’t she?)

It’s the best writerly advice I can give to myself right now or to anyone else. Find a “screw that” picture that speaks to you, keep it on your desk for those dark moments, and, when necessary declare:

“Screw that! …and here’s a picture of me… riding a llama, cavorting with bandits on a beach, goth-clad straddling a chair backward, petting velvet the wrong way, and/or the ever popular, smoking on a Vespa.”

(I’ll share it with you. I’m nice like that.)

Be free. Be free and kind to yourself. Write. Do it. You’ll feel better after. I promise or your money back.

-M.