Writers’ Stage Fright

The blogs that are the best blogs are personal, not academic. Those are the blogs that are fun to read, or at least fun to read for me. The reason they are fun to read is because the author is writing for the joy of it. If you can’t write for the joy of it on your own blog, then where else? Blogs are possibly the most low-pressure forum anywhere.

My focus on my own blogs has been twisted. Right now, I need to focus on making myself a writer rather than making myself a viral success. I need to be an artist first. Always first. And I need to begin at the beginning. I need to humble myself.

I know a lot of craft shit. A lot. I have a style. I have a voice. I know oodles of words. I know how to type. I know how to get myself so balled up about a project that laying down the first word gives me a panic attack—literally. 

If I’m writing for the audience first, I get stage fright.

I used to perform often. I was very involved in drama and choir in school. I had two stunningly awesome speech classes. I was a singer. I was and am a performer. Also, every time I am about to perform, I feel like I’m going to die. My anxiety gets full and physical. I have to take long, deep breaths to hopefully slow down my heart enough so my chest doesn’t explode. I have to close my eyes because everything all of a sudden gets bright. My hands shake, hard. I get a little twitch at the corner of my mouth. My knees shake too. 

But here’s the great and weird thing:

When I perform, I am amazing. I don’t want to sound conceited there, but performing and public speaking are things at which I know I am excellent. 

During the speech class, I stood up there delivering the speech with my hands shaking, suppressing my tick, making sure to slow my words, and even though I am going through all that, the performance comes out shiningly.  

After, I sit down and let my hands shake their last shakes, and when they’re done, I feel a euphoria that is so all-encompassing it is impossible to describe. Better than crack, we’ll say. Better than crack.

The difference between performance anxiety before an actual performance and performance anxiety before beginning a writing project is that when you’re set to perform, you must perform. Your cast members, partner, grades depend on it. There is a lot at stake should you fail to act. With writing, it’s different. You can convince yourself all day long that your anxiety is bigger and more important than your need to write. The whole big show won’t be ruined if you take a nap instead. Nobody will fail and be held back if you’d rather play on Facebook. Performance anxiety gets the best of you and stops you in your tracks.

The question becomes, how do you overcome performance anxiety as a writer? I don’t have a clear answer. I remember all the things we’d say to each other before shows: “Don’t be nervous. The audience wants you to succeed,” “Plant your feet and own the stage,” or, my personal favorite, “Anxiety and excitement have the same physical symptoms, so just tell yourself you’re excited.” I like that one because it sounds super wise, but is near impossible to do. 

Perhaps the key is not considering your audience at all in the beginning. There is no stage when you sit down to write. No one is watching you or judging you. If you hate what you write, it need not ever see the light of day. You are totally in control. You are totally free.

Dance like no one is watching, blah blah blah and so on, big saccharine barf.

Conquering writers’ stage fright is easier said than done, but better done than undone.

For now, that’s the best I can do. 

-M. 

Wild and Considering a Haircut

My hair is gorgeous with platinum curls absolutely everywhere. It can also be the wildest white afro you’ve ever seen. There are frizzy parts and curly parts and parts beat straight from being slept on. When I wake up, I often look like Einstein in dire need of a haircut. 

It’s been getting on my nerves lately. It’s always in my face and sometimes even in my food. It gets caught in my purse strap. It gets under my watch band. It gets in my eyes. It gets in my mouth, even without being food-borne. 

Also, it’s hot under this thing. Seriously hot. I don’t need another reason to sweat and I sweat into this pelt all the time. 

The wildness, at times, is inconvenient, but I do love it. The problem has been that it can’t be wild without being in the way. Wildness is meant for the wilderness, not my civilized lips. 

A common symptom of depression among women is the desire to cut off all of one’s hair. I’ve dabbled in those thoughts many times, but my hair is my glory, like the Bible kinda says, and the Lord himself might weep if I got rid of it. 

I’ve decided to give it an out-of-my-face wilderness all its own.

I’ve decided on a pixie cut, even though I look nothing like a pixie in the face, or, ahem, in the body. I’m more like a bumble bee. I will give it the top of my head and the great heavens above to roam around and howl in. I will put some unnecessarily expensive crap in it after I shower, run my hands through, and let it go. If I’m going to look like Einstein anyway, I might as well not be a shabby one.

I have only a few requirements:

I want something undomesticated that doesn’t even look like it needs to be domesticated. 

I do not want to come out butch.

I do not want to look like a boy, (terrible experiences with that when my mom chopped all my hair off when I was little and every stranger called me a he.)

I don’t want ever to have to spend more than a few minutes styling it, but no styling at all would be preferable. 

Low maintenance baby. Low maintenance. I’m a low maintenance broad who needs a low maintenance do. (You’d think I would be able to type “maintenance” by now with no mistakes, but no. “Maintenance” is a lot higher maintenance than one might think.)

I love the look of wild, straight punk cuts, but I’ve got curly girl, curvy girl, girly girl written all over my scalp. We’ll get as wild as we can. We’ll get as far away from my watch band as we can. Wildness makes no promises.

-M.

Gender Bias Among Women Writers

Usually when we speak of gender bias, the first thing that comes to mind is the literary feats of old dead white dudes still controlling the standards by which works of literature are measured today, regardless of the author’s race, gender, socio-economic status, etc. Or we speak of the white guys who are still alive and kicking having an upper hand in getting grants, getting agents, getting published, getting attention, getting press, getting prizes, getting better grants, and round and round we go. But the gender bias I want to talk about is far more insidious. Those things I mentioned earlier certainly create a problem that needs to be addressed, but there is a pernicious undercurrent of another form of gender bias among writers that can potentially harm their efforts so early on that they will never get past the very early stages of publishing, let alone into the realm of real recognition, regardless of the depth of their talent. This gender bias has directly to do with the quagmire of questions that are: What does and what does not make a woman? What does and what does not make a man?

Continue reading “Gender Bias Among Women Writers”

Hot and Sweet

My ancient fiction professor at Vanderbilt once told us about a man he knew who drank Dr. Pepper hot. When work was over, this man would get into his after-fives and stir it in a saucepan over low heat, delicately, like he was handling milk. “Sometimes,” Professor Sullivan said, “it’s all right to let your characters take life a little too far.”

-M.

Writers’ Insecurity: Give Me 20

I am not a long-write poet and suspect, by nature, I never will be. Most of the time, I see much more value in longer works than in what I produce, (read as: “most of the time I see more value in what everyone else in the world is doing except me”). In this insecurity, I am like a child who stubbornly believes ten one dollar bills will always be worth more than one twenty dollar bill.

A friend of mine once told me he doubts I have the attention span for long-write. Possibly. More likely though, I’ve got an addict’s taste for hit-and-run.

-M.

Some People Call It “Terminal Uniqueness.”

It’s crazy how these old worries keep coming back. In my mind I’m in a poorly lit room. I look down at my own work and think, pouting, “But my work doesn’t sound like other people’s work. My work doesn’t sound like what’s in the literary journals and magazines.” It’s true, but why I automatically jump to the conclusion that this is a bad thing is beyond me. I may have trouble finding a home, but when I do, it will be the right home, the Goldilocks home. Maybe I’ll find several.

The only thing I must absolutely not do is write what I think I should sound like rather than writing what I actually sound like. My poetry and essays look and sound how it looks and sounds in my mind. That’s a good thing because I’m the only one who has my mind. For the world’s sake, that’s an excellent thing.

-M.

Dogs (NaPoMo Day 5)

Dogs have races. Dogs have war.
Dogs have Shakespeare.
I think someone ate a dog in some
Shakespeare play.
I got that from a movie where a teacher
taught Shakespeare.
Simulacra upon simulacra
the coolest concept in sociology.

I see a dog in a meadow. He is well cared for.
Sometimes when we think of dogs
we get a pain in the pit of our stomachs because
we think of dogs being mistreated.
Innocence makes us fear guilt.
Little children sing creepy songs in horror movies
give us the chills.

Serial killer has the heart of a child.
Animals are innocent.
Shark seeks food and procreation
the height of evolution.
Lamb of God doesn’t bleat
on the bloody altar.

-M.

Around the World in 20 Taboos

Cow meat. Shellfish.
Touching pork and alcohol.
Red lipstick on strict Baptist women.
Entering the temple with your street shoes on.
Walking on your mother’s white carpet
with your street shoes on.
Genital piercing. Genital mutilation.
Showing your face. Showing your ankles.
Cutting your hair.
Sex. Porn-a-plenty. Masturbation.
That one kink no one talks about.
Having other gods before me.
Cooking cabbage in the office microwave.
Dishonoring the corporation.
Tattooing little children blue with bush thorns.
Cultural relativism.

-M.

(The prompt was “taboo.” I knew at some point I would find a use for my sociology degree.)

Controlled Substances (NaPoMo Day 4)

My pharmacist’s assistant boyfriend
gained weight.
It brings us closer as our fingers
touch over the Hydrocodone
and our wrinkles show
and our noses shine
under the fluorescent lights.

I say in a low voice
You know they’re for my mother.

He leans forward and says
so gently
I know. I remember you.

I tell him they’re for my mother every time
to prompt his sweet nothing.
I am unashamed. I flounce
out of the pharmacy with my narcotics
and swing my hips with purpose.

-M.

(I’m starting a little late for National Poetry Month’s 30 in 30. I owe you three. I’m on it.)

Ghost of San Berdoo

Serrano, Latino
Sunburned dark

Jeans
baggy T-shirt
train soot gray

Trenchcoat
patched leather
slain ranchers’ tack

115 degree morning
blacktop risen
shining
son of god

Round shoulders
Clinging glass
windshield clear
beer bottle green.

-M.