Baseball. Ellipsis.

~ M. Ashley ~ 2 Comments

Talk about a period where you have not read.

Ellipses immediately come to mind. Periods where I have not read because there was nothing there to read. Periods where I have not read because what is missing and what I could fill into that emptiness would be too frightening. I have large parts of my life that are ellipses in that regard. I have large parts of my life that trail off on the page. I have large parts of my life where the lips stop murmuring along with the text. I have long periods in my life where the face turns away, where the throat clears, where the mind starts wondering what’s for dinner, where the legs pick the body up, stand, and walk away.

The devil is in the periods I have not read. The devil is in the missing details.

I went off to college at Vanderbilt in Nashville, TN. I had three beautiful years of freedom there. I read a lot. I didn’t read anything I was supposed to read all the way to the end.

I had a teacher in high school who warned us that our study habits wouldn’t change when we went to college. He told us we better get our stuff together now, because if not now, never. He was right. My study habits didn’t change. I never read anything I was supposed to read in high school to the end, and I didn’t in college either. What he failed to mention was that in college, high school habits may not have the same outcome as they do in college. In high school, my writing ability covering all the periods I did not read didn’t carry me through. There was busy work to be done along with it. An A on a paper did not overshadow all the pages of definitions I did not dutifully copy. In college, however, where all that busywork is stripped away, where you are left to your own devices as far as the final product is concerned, my talent carried me gloriously over all the periods I did not read and my grades went from strikeout to home run.

It makes me think of a team carrying their star player around after she wins the big game for them. My words were like that. They have carried me that way. They have poured Gatorade over my head. They have slapped my ass in encouragement. They have depended on me showing up for each and every game.

I could not finish the game.

Three years of freedom in college, periods I read and periods I trailed off, and periods I did not read at all… then darkness. Abuse. Bad men. A dead, dark stop in an otherwise bright and promising life. Three hard periods. An ellipsis. Nothing to read here. End of page.

Seven and a half years of end-of-page—ellipsis after ellipsis after ellipses—periods the whole world turned away from—weeping that was never recorded.

Until now.

The words tap me tenderly on the ass. Pre season starts soon and, quick as wink, we will be finishing the game we started so many years ago, and this time, I have no excuse not to show up, not to play to the final inning, even if we go into overtime.

I’ve mixed baseball with ellipses. One of my favorite lines of poetry, “Dear God, we lurch from metaphor to metaphor.”

I’ve spent plenty of periods not reading while watching baseball. There’s a rhythm to it, to not reading and to baseball. The head nods. An exciting moment is sure to come… eventually.

A baseball is sort of like a period. (We must connect the dots.)

A baseball is sort of like a period, only it comes at you at nearly 100mph. It’s the end of the ellipsis, it’s the call to action, it’s the what now, brother? Do you swing or do you miss? Do you play or do you cower? Do you lean into it? Do you want to win the game badly enough to risk brain injury?

The pitcher winds up. The pupils dilate The muscles tense. The final period is hurled. All muscle memory. Not a conscious thought.

New page.

Swing.

-M.

Affirmative Writing

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I started a major creative nonfiction writing project today. While I am excited, I am mostly terrified. I am telling myself not to let it grow too big before it is even born. I am telling myself not to tell people any specifics. I am telling myself not to plot the end before I have begun the beginning.

Slow slow slow. Steady steady steady. I am telling myself this too.

Write your time then forget about the writing until it’s time to write tomorrow.

I wrote the following affirmation and copied it at the top of what may or may not be page one. I will copy and paste it every day at the top of what may or may not be, that day, also page one.

The affirmation:

I allow myself to be a beginner. I allow myself to write the most miserable shit that has ever been written. I let go of the outcome. I consciously let go of the outcome. I release. I accept.

I accept. I accept. I accept.

-M.

Perhaps I Should Stick to Writing

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What have I carried and gnawed over?

I was going to be a film composer. I had a stack of Film Score Monthly tall and leaning as Pisa’s tower. I looked forward to that mag coming each month the way you look forward to unexpected money in the mail. I carried it with me wherever I went until it was read from one end to the other and back again. I knew all the current composers. If they had trading cards, I would have owned them all and memorized all their stats.

I bought a Korg electric piano for my first apartment. It was the first thing I ever bought on credit. It was $1,200. The credit card company called me to make sure I meant the purchase. Oh yes. Yes I meant it. I was $1,200 and more worth of serious.

I took piano, violin, and theory lessons from a Hungarian who escaped Communism and had almost more stories about that than he had musical wisdom. I didn’t mind. I was in it for the long haul. I did composition exercises from his Hungarian music university textbooks. I couldn’t read the explanations, but I could do the musical math.

I wrote songs for each of my family members. I wrote songs for each of my friends. I wrote a song for Clementi from whose sonatinas I learned keyboard basics.

I made a giant packet of all my composition exercises and all my songs and put it in the box of the head of the composition department at Vanderbilt’s Blair School of Music. I swaggered back to my apartment and my credited piano and awaited his call. When he did call and invite me to see him, I strutted confidently into his office, ready for my new career to begin in a bright flash of praise and appreciation.

The professor brought out my composition exercises first. He showed me every mistake I made. He said I didn’t know anything about something called “voice leading.” He pointed out every crooked stem on every not perfectly round note.

He went for my singing next. He had me sing a major scale and I came out with it easily. He asked me to sing a minor scale and I faltered, reverting to the major on three different attempts. He said he would have to tell me someday why that happens.

Finally, he brought out my Clementi. He said he didn’t understand why I started it on what was clearly not the downbeat. He said it sounded nothing like Clementi. He said he had composition students who could do Clementi in their sleep.

He said, “You obviously have a love for tonal music, but a complete lack of the talent necessary to create it.”

He broke my world.

I wrote him a letter the next day. I told him in two pages how I was going to prove him wrong. I wrote something about the shining prize on the top of the hill that I would do anything to attain. I said a lot of inspirational things. I was on fire.

He wrote back that I had a great talent for writing. He wrote that I should, perhaps, stick to writing.

Every time I sit down to write, I gnaw on that.

-M.

Matchy Matchy on Anyone Else

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At some point my mom stopped wearing closed-toed shoes. At some point she went entirely to sandals. California girl gives up on formality. In retirement, she retired fancy footwear. Men ditch the noose. My mom ditched confining shoes.

Hobnobbing with high powered lawyers over million dollar medical malpractice cases, her working life shoes were stunning—more for the sound they made than anything else. Strident strides. Authority on pavement come from the parking lot into the courthouse to win the day and withhold the money.

When my mom came to visit me for the first time in my first apartment as an adult, I heard her long before I saw her. She parked in the visitors’ lot, under my window, and clicked her way through the security gate somehow before I got down there to let her in. The gate yielded for her, or whoever was holding the gate, because of course it/he did.

She was wearing a pale yellow dress and her shoes matched. They matched the dress exactly. Her purse matched too. Matchy matchy on other people looks sickening. On my mother, matchy matchy looks like all is right in Heaven and Earth and nothing evil can touch you here. Her jewelry was gold. The stones in her jewelry were yellow topaz.

All is well. All is well. Heaven and Earth can rest.

She rearranged my apartment during that visit. She had gentle suggestions and the place got a major undoing and redoing. The couch went from the wall to the middle of the room creating a second space against the wall for my desk and piano. The artwork got frames and was properly hung, not puttied to the walls as it had been in my dorm room, my home before this one. Bad adolescent decorating habits carried over. She fixed that.

She bought a purple decorative pillow for my couch to match the purple in the decorative rug I had under my glass coffee table. She made sure my accidentally contemporary living room flowed seamlessly into my accidentally country bedroom. The purple flowed through from pillow to pillows. The floral arrangement on the dining table matched the flowers on my bedspread. The drapes, different colors but the same style, were made and hung by the same pair of hands.

When she left—when she clicked her way back through the gate and went back to my childhood home more than a thousand miles away to knock heads and pointed heels with lawyers who weren’t expecting so much trouble from a woman, I looked at my newly gorgeous apartment and cried. I missed my couch and everything else up against the wall because I didn’t know any better. I missed the curl of the art posters pulling away from their putty.

I missed her clicking more.

I kept my apartment the way she left it: objectively beautified. With only my soft sneakers to scuttle along the scuffed floorboards, the beautiful quiet was too quiet and would have been quieter had I reverted entirely to me. Emptier. Emptier and quiet.

-M.

The Star

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Is he the black dog in the night when
it’s noon and all the lights are on,
or is he the star around which
noon and all the light revolves. To know
him with bare eyes is blindness. We see
him once, poorly, and never anything again
but the flash burned into our corneas—
the red, the lightening purple, the terrible
white. The half memory our only light.
And he would still not be
black dog in the night,
nor black dog at noon.
He would still be the light itself
and we irreversible, starless, dying.

-M.

What I Really Want to Say

~ M. Ashley ~ 1 Comment

What I really want to say is I’m too old for this shit. What I really want to say is that I worry about my age and how I’ve not managed to fly or fall yet. I’ve neither sunk nor swum.

What I really want to say is that whenever you have the opportunity to use “swum,” do it. It’s good for the soul.

I want to tell someone I’m worried and have them tell me it’s going to be all right. I want Father Time himself to tell me my clock hasn’t run out. I want him to tell me I won’t look weird standing at the starting line or, more like the registration table, at forty-two. I want Mother Nature herself to tell me my body won’t give out midway through and I’m still fit for the race.

I want someone to understand the concept of perpetual kitten-hood and how wild cats don’t meow. They purr, they hiss, they growl, but they don’t meow.

I was a wild cat once. I’ve moved forward. I’ve moved back. I’ve moved away. I’ve moved back home.

Where is home? Where is finally, finally home? I really want someone to tell me.

I want someone to tell me my former wildness is as true as I hope it is. I want someone to tell me I still have it in me. I want someone to tell me that re-learned, life-and-death kitten-hood doesn’t have to be permanent.

What I really want to say is I hope I don’t have to sing to my empty bowl forever.

I hope I won’t always be grateful just to eat from any hand that isn’t hurting me.

What I really want to say is that I’m angry, but I don’t know how exactly to say that without sounding like I’m reading out loud the results of a middle school science project. I can describe it. I cannot demonstrate. I cannot replicate the experiment.

What I really want to say is I’m grateful to have one human in my life who understands that pain draws in as much as it pours out and, if not pouring, it is possibly drawing in with black hole intensity. Not a lot of people have that person. What I really want to say is I’m lucky.

What I really want to talk about is all the reasons I have to be angry and I want someone to be outraged with me. I want someone to show me what outrage looks like if it doesn’t look like eating your own heart and all the cookies in the box. I want someone to show me how it’s done and to do it with me.

What I really want to say is that I hope I don’t destroy myself before I create myself in the first place.

-M.

Flower Mom

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Says she was a willful child—
the little girl who chopped a
row of her mother’s tall flowers
down for looking at her
funny when she came home from
school. She planted snapdragons
where the mocking birds of
paradise had been. Snapdragons’
faces are fierce too, but sweeter.
They don’t speak unless spoken to.
They only laugh when a hand is
applied to their delicate jaws.

-M.

Reality on Her Fingers

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My dad, divorced from my mother for more than ten years at that point, told me that what she really loves is jewelry. She has the bling gene, as we call it. That’s not what he said. That’s a little too clever, a little too kind.

She loves costume jewelry, but has a grounding in the real. Always reality on her fingers. On her left hand, she always wears a blue topaz ring she had made. The topaz is set in a simple, modern swoop of solid gold. It’s meant to show off the stone, bold as a blue diamond. The way she wears it, you would swear it was a diamond.

On her right hand, she wears a ruby set in a cluster of diamonds. The ruby is her birthstone. It is pigeon blood red. It is the best you can get. She had this ring made too.

She wears a little silver ring I gave her. She wears a simple gold chain bracelet on her left wrist.

A touch of reality around her neck too. A shy diamond set in another modern swoop of gold, smaller, more delicate—a stylized teardrop. It sits against a black backdrop, created shadow. The diamond is from her mother’s engagement ring—her mother’s first engagement to my mother’s father.

They took that necklace off my mom when she went into the hospital so it wouldn’t interfere with the MRI. They took her rings and bracelet too.

She had to be in the hospital alone because of the virus. She was there a week. I called her every day, at least once a day. She told me many times about how they had taken her jewelry. She told me many times she was sure she would get it back. She had faith they were good, honest people, and that she would get her jewelry back even though she couldn’t quite remember where they had put it in her room. It seemed she thought about that more than she thought about her infection, her surgery, the second attempt at her surgery, and what life would be like after.

She recovered enough to come home. Once home, it took her another two weeks to recover enough physically and mentally even to want to put her jewelry on again.

She fished it out of her purse. It was all jumbled up in a green, semicircular plastic holder that looked like something you would put false teeth in. All that reality. All her reality. All those gems.

She put the topaz on first. This was what she earned—her badass career—the woman she was before retirement—the woman who made male lawyers quiver and go limp—the woman who could afford a topaz like that and all that swoop of gold.

She put her ruby on next. This was the woman she was born, badass in essence from the start. The little girl who chopped down an entire row of bird of paradise in front of her mother’s house because she didn’t like the way they looked at her when she got home from school. She planted snapdragons there instead. Their fierce little faces were sweeter.

The gold bracelet. She fastened that on herself. She bought it somewhere borderline seedy while on a Caribbean cruise—her first. First of many with a group of globetrotting women, badass as she was, exploring everything, planting their flags everywhere.

She needed help with the engagement diamond necklace. I tried for more than fifteen minutes and couldn’t get it. The clasp is so tiny, I wondered how she ever got it on in the first place as her well kept fingernails are long and lustrous and mine are bitten to the nubs. It should have been easier for me having my actual fingertips to work with, but it was impossible.

She sighed as I handed it back to her. She looked down. “I don’t like to be without it,” she said. “You wouldn’t believe how easily the nurse took it off.”

Finally, she slid the little silver ring with the created pink gemstones I gave her for her birthday on to her little finger. The ring had turned black. Something they injected her with had burned her inside, leaked out of the injection site, run down her arm, and burned off whatever real silver there was on the ring. This was before the MRI. Before the box. Before she was bereft of everything. Before it was all protected.

That silver ring I gave her—the timid whisper that is my life’s contribution to hers, turned black in her illness—she wears it anyway. Right alongside her gold and precious. She wears it anyway.

-M.