I Guess I Was a Writer All Along

When my fiancé got into bed with me last night he started talking about how he used to tape whole albums off the radio when he was a kid. He got specific. He had to have his mom buy him TDK 90 minute blank tapes—the solid gray ones in the gold wrappers, $2 apiece and sold in packs of five. Maxell was so-so—he would settle for Maxell, but Memorix with its clear tapes and groovy shapes all over was the worst of the worst and he wouldn’t put a single note on that. 

He talked about cataloguing the tapes—one album per side. Listening to the DJs talk about the albums and all the music trivia. He still listens to music talk, constantly. He follows about six hundred rock music podcasts and can DJ every song on Sirius with about thirty times the DJ juice as whatever has-been they’ve hired. He is an encyclopedia of rock. Sometimes I’ll turn on classic rock stations that I only marginally like just to give him the opportunity to fan his feathers for me, and it is glorious.

He told me he tried the guitar and piano as a kid because those are the types of instruments a blind kid is supposed to go for, but it wasn’t until someone put him in front of a drum kit that he thought yes…. I can really find my way around here. It all clicked along with the click track and he was a drummer, through-and-through forevermore. He started doing session work in LA by the time he was 14. At 50, he plays in three different bands and bursts out with drum solos on his knees randomly while I’m making dinner, while we’re waiting on an Uber, and even sometimes in the bathroom, (don’t tell him I told you that). 

Music, and rock music specifically, and drumming even more specifically than that is the way he makes his way in the world and he has no internal conflict whatsoever about that. I admire that. More than admire: I envy that. More than envy: I am deeply jealous of his soul’s love for its native art. And I wish my soul were that way about writing. It’s getting there, but it has taken a long long time.

Sometimes, when I’m depressed, I find myself doing “depressed” things long before I ever acknowledge I’m depressed. I stop taking care of myself and dressing in nice clothes. I curl up in bed and watch a lot of nostalgia bomb reruns I’ve seen ten thousand times. Walking from room to room makes me tired. I cook the simplest things for dinner—lots of blue box and ramen. But it isn’t until days and days later, when I find myself wrapped up in my blanket cocoon in bed, barely able to move, that I think, “Oh wow. I must be having a depression.”

It’s kind of like that with me and writing. 

While Angel was obsessing over TDK vs. Memorex as a kid, I was writing. I wrote my first real poem in the fifth grade and the teacher loved it so much, she posted it in the window for the whole school to see. I still remember it:

The moon is a jagged diamond

Hanging and waiting in suspense

For someone to pluck him from this mine of darkness

That holds him captive

Captive in a sea of stars

That no one dares enter

For fear they’d never return

We were learning about metaphors and similes when I wrote that. I chose metaphor.

I used to ride the bus to school composing poems. As I grew, the poetry onslaught continued. I’d type them on my little Canon electric typewriter that printed a whole line at a time, and put them in packets in the kind of folders you’d put school reports in. I’d give the packets titles and slip them to my teacher on the sly. 

I put my poetry in the front cover of my clear-covered three ring binder in high school and changed it out regularly. I wrote down song lyrics from memory and broke the lines apart the way I thought they should be broken.

I wrote satirical pieces in junior high, high school, and college and got in major trouble with teachers and schoolmates over it, but kept doing it anyway. 

I sat in the wood-paneled study room in college with my left hand pressed against my forehead writing short stories longhand for hours as day turned to night, turned to very late night. I’d dance around air-conducting baroque music thinking of what next things my characters should be doing and what most clever ways I could say it. 

All through the eight years I was trafficked—even then during that horrendous abuse, I spent so much of my “free” time alone at the keyboard writing endlessly about what was happening to me. I filled countless file folders on my shiny new Gateway computer and more spiral notebooks than I could ever keep track of. Words words words as Shakespeare would say. They didn’t always make sense during that time, but they kept me anchored to something, even if it was just my own hands moving, the click of the keys, the scratch of the pen, the flick of one page to the next.

I went to the Iowa Summer Writers’ Workshop twice and found my joy and my people. I didn’t bring an essay for class. I wrote it while I was there. I stayed up late in my hotel room writing it. I dashed into the college computer lab the day it was my turn to be workshopped, typed it out at emergency speed, and ran in to class with my ten copies, wet ink drying on my fingers. 

And after I survived the trafficking, while I was barely surviving survival, when I was desperately poor and living in an apartment that had roaches in the dishwasher, when I was working at Walmart and smoking with old Southern ladies and bitching about customers, managers, and my swollen feet, I never stopped writing. I started a blog about my Walmart experiences. I started a blog about world spirituality. I started a blog about my burgeoning Paganism. I started a blog about 12 step recovery. I started a blog about tarot. I started this blog. I started more blogs. I started a blog… I started a blog… I started a blog… 

And now, twenty years after the trafficking ended and nearly forty years after I wrote my first poem, and probably over fifty blog starts later, I am still writing. And I am reading Writing Down the Bones and realizing for the first time, after all this time, that I am a writer. I am a writer all the way down to my bones and always have been. I am a writer the way Angel is a drummer. I am a writer the way Natalie Goldberg is a writer.

It’s how I make my way in the world. It always has been whether I wanted it to be or not. My passion for the written word has burned for decades in spite of myself. 

I wonder what will happen when I embrace its burning as myself. 

My very own self.

We shall see.

-M. Ashley

Uber Gangster Heaven

In an Uber, coming home from an appointment an hour away, stuck in traffic, the driver spent the first half of the ride telling us how important unions are and how he went around stumping for the union all the time when he worked at the Albertson’s warehouse, and then in the second half of the ride, he told us how he wants to get a collage of American gangsters tattooed on his leg (he had tats all over, including his face). He wanted everyone from Al Capone to El Chapo (not an American gangster, but I kept that to myself), to all these relatively current drug lords I’ve never heard of, and then somehow we ended up with him telling me how crack is made (or so he’s heard) and how much Percs and Fentanyl cost on the street (or so he’s heard). When we got to the destination, I told him that that ride was the most fun I’ve ever had in an Uber by far, which is a fact! I told him he was fantastic and gave him a big fat tip. My male friend, more conservative than I, was not thrilled, but I was in Michelle heaven!

I love people so much.

My only regret is that I forget to tell him he needed to add Jimmy Hoffa to his tattoo. Dang it!

-M. Ashley

Authentic African Musical Tiger Says

In a moment a pain, crying and praying, my god brought me this. The radio playing mysterious drums and me… I had to look. Authentic African music surely… with a tiger on the cover. A tiger.

Hard to pain cry and SMH cry laughing at the same time.

And if that weren’t enough: That look in the authentic African music tiger’s eye: “You… Hey you… Hey you there lady, crying. You! Authentic African musical tiger says, RELAX!!!”

And buddy, you’d better fucking relax.

-M. Ashley

Missing Frank Bidart (poem)

Oh my poet-y friend… how I have missed thee.
I have missed myself defacing your books with
Purple ink notes like, “Love it!” and “Scary.”

Remember that time I humiliated myself on a
Plane pompously overblowing poetry to a
Stranger who turned out to be a PhD in poetry

My nose in your book
My ass on my shoulders
Me talking out of it

But then you were there for me
For that—for my ass face too
And my starry eyes for you.

-M. Ashley

Poetry Goals (poem)

I would love to swan around and
say dusty things about poetry and
have everyone give a damn and
have groupies who show me their boobs
and read at Carnegie Hall to 53,000
screaming teeny boppers in poodle skirts

and all that other shit
that real poets do
and don’t actually do

but always do
in my sweaty
jealous
glory hogging
little mind.

-M. Ashley

Self-Portrait: 2022 Is Also All About My Hair

“There is a lot of breakage.” Don’t we all feel that way?

I balked when she said it and immediately went to defend myself. It must be the scrunchie I had near permanently in my mop since the beginning of the pandemic. It’s because I hadn’t had it cut since then. It’s because the hair is in terrible condition because of pandemic neglect and not, dear gods, because it’s falling out. It’s just broken not heading for the hills. It’s just broken, not endangered. It’s just broken—more, healthy, unbroken hair is just behind it.

I got it cut in December 2021 and I feel like a human again. The broken hairs are still broken, but the unbroken ones are no longer frayed like D-grade straw, looking like a witch’s hair. Gods, was I ever embarrassed when I walked my straw haired witch’s self into the Great Clips and asked them to whack the mess off. The stylist was understanding, matter of fact as the hay hit the floor, and gave me a marvelous new start, jawline length, relief from all the burden of the last two years that had fallen well past my shoulders and almost all the way down to my waist.

So the broken ones are still broken, but they’re also still growing and now don’t have so far to go to catch up to their unbroken sisters. The mop isn’t so long that I have to keep it up in a scrunchie anymore. I don’t have to be bound all the time. No more mass breakage is imminent. 2022 is going to be a good year.

How much further can I carry this hairy pandemic metaphor? Let’s see:

The thing about the short curly hair is that there is no second chance. There is no second day hair so, if you’re going somewhere, if anyone else is meant to see you, you must must must take care of it day by day. It’s a hassle when we’ve all gotten so used to not caring much about ourselves as we huddle and hide away. But also a sign of health, this hassle, and anything, even if it’s vanity, that forces you to bathe and primp and proper yourself, is a good thing and a godsend in a time when it’s far too easy just to let go.

With the short curly do that gives no second chances, I wake up from tossing nights looking like Einstein. That’s why I was able to come up with such completely original, genius, and insightful observations about the pandemic vis-a-vis my hair.

Original, I tell you. Original.

I wish you all the best and healthiest in 2022. My goal is to be here more and make more super genius and purely original observations with both my words and my art, photographic and otherwise. My goal is to read more of your work as well. My hope is we will inspire each other. My hope is we will inspire each other enough so as to give each other the tingles. My hope is we will inspire each other enough that, tingling together, it makes our collective hair, broken and unbreakable, stand on end.

-M. Ashley

Photo: My submission for this week’s 52 Frames challenge, “Self-Portrait” I’m calling it “Gallows Humor.” Taken with an iPhone 10. Flash did not fire.

Autumn Walk Diaries: Smoke and Fire

Next-day smoke from the University Fire

The thing this morning was smoke.

We walk at around nine or ten and, at around nine or ten, the scene over Little Mountain towards Devore and the Cajon Pass was bleak.

We wish for gray skies here. We hope for it. We pray for it. Some of us may even bay at the moon and dance for it—thirsty, drought stricken, dead lawn denizens that we are. But that gray ain’t rain clouds, brother.

Little Mountain was on fire yesterday—not our bit of it, but the bit of it one neighborhood away, closer to the freeway where my great aunt and uncle lived for forty years, north of the 215 freeway, south of all those houses… all those houses. Everyone was evacuated. Water drop helicopters landed in the neighborhood park. City and county fire descended and ascended upon it from all possible angles. They put the fire down so fast, it barely made the local news and was but a mild ripple even amongst the busybody neighbors on Nextdoor.

Little Mountain is on fire a lot. Our people know how to fight that fire. Our people have always been victorious. Not a single house or business has ever been burned in that spot. We are very blessed. We are very lucky. We are willful that we go on living here, year after year, fire after fire… after fire after fire after fire.

So this morning, the thing was a sky over the mountain filled with orangey gray that smells like God’s barbecue and promises nothing but swimming pools, A/C filters, and formerly pink lungs full of ash.

Weirdly, though, a hopeful sight: smoke in the sky, no longer connected to the earth below—no longer a real threat, no longer a panic, no longer everyone’s nightmare. A little relief. More than a little gratitude all those houses were saved and we can go back from praying our neighbors make it, to praying one day we get friendlier clouds filled with rain.

-M.

Photo Prose: Dread Box

Picking up any pen is hard. Opening my notebook is one of the Herculean trials—the hard one.

Getting past the rickety-ness is worse still. It’s like hearing Atlas’ ancient knees pop as he hefts the Earth one more day. One more day. One more day.

I dread goals. I dread the lazy, yawning “what next” after I reach one. I dread not reaching any.

I dread being a flake—but worse, a joyless flake. No one loves a joyless flake like no one loves a fat person who is not jolly. I dread also being the fat person who is not jolly.

I dread my credit card payments. I keep my dreaded credit cards under my dreaded pens to keep me from the dreadful using them.

I keep lip balm under the dread pens and cards. Most of all, I dread being kissed unready.

-M.
Photography Playbook Prompt: Something you dread.

Not “My” but “Our” Worst Fear

Photo Prompt: What is your worst fear?

Let’s get vulnerable with each other. Let’s get naked and play the mirror game. Let’s do it in front of a group of twenty-somethings with their whole brilliant lives ahead of them. Let us let them sit cross-legged in a circle around us and let us let them bombard us with questions as we try to mirror each other’s movements exactly.

We’ll have to answer honestly and be beastly to ourselves in this game because it is impossible to lie focused only on each other, move for move, even down to the twitch in the corner of my mouth and yours when someone lazily lobs, “What is your worst feat?”

We say, “This.”

We are afraid of this. We are afraid of only ever being as good as each other, locked in the hopelessness of leprous perfectionism. Not singly—mutually. Each other’s. Always each other’s.

We are afraid of this: falling short, move for move, in each other’s eyes forever.

-M.

Bars and Blue Sky

Dostoyevsky said, “Life is life everywhere.” I don’t remember where or when he said it, but his mind was on human suffering in Siberia.

Bars and blue are the view from my office window. I live in a dirty, dying town in the inland desert of Southern California. We call it an empire. My neighborhood is ghetto-lite, but still rough enough to have warranted bars on all the doors and windows since 1985.

Here in the SoCal inland desert empire, it is green and, in the winter, the temperature rarely dips below forty degrees. The snow, in Siberia, is like bars I’m sure, but unlike these in my window, inescapable. Blue sky, like life, is blue sky everywhere though and we have at least these two things in common which, as I stand in the sun, un-barred, I’m sure is much more comfort to me on blue days wishing for the shocking sanctity of suffering and snow than it is to them on days that are nothing but sanctity, suffering, and snow

-M..