I am an essayist and poet. My work has been rejected by some of the finest journals in America. Fortunately, it also gets accepted from time to time and has appeared in equally fine journals such as Word Riot, Inlandia, Brew City Magazine, and SageWoman, among others.. In 2002, I won the Academy of American Poets Prize for Vanderbilt University.
For no good reason, I possess an unnecessarily dark humor which is why being third generation California Inland Empirian delights me so. My gods are weird. I once won $350 for writing a smartassed essay on “why the wise use of water is important in my daily life”. I am undoubtedly the Greek god Hermes’ special snowflake. I’m pretty sure I got into college via a series of fortuitous clerical errors.
When I had to grow up and get a real job, I decided against it and stayed a writer. I have worked many odd—and I mean odd—jobs to support my habit: PR writer for country music hopefuls, resume massager, WalMart fitting room attendant and switchboard operator, and telephone psychic, just to name a few.
I am also albino. That's why my psychic gifts are so strong. I traded in my pigment for magical foresight, because that's how it works. It gets all technical. Trust me. That's totally how it works.
When nailing down eternity two pieces of wood will do bound together by dusty centurions on shit duty.
Try also iron nails in a bottle of piss with fishhooks, sulfur, and the dirt from a murderer’s grief-less grave dug from the dirt patch behind the green cemetery
not good enough for a proper fence but bound by torn green tarp shrouds instead tacked haphazardly to decayed chain link.
Golden Sexuality sits by an open window his hair shining, his lean legs crossed. He considers the hills wearing their shadowy green the glacier-strike lake they curve into born cold, gone balmy, rippling life.
He remembers stag chases trysts in the leaves—the fleshy shock and shudder discovering exposed roots with his bare back.
He sinks his consciousness into the water the fingertip tendrils of his god-form first
followed by the instinctually flexed shoulders still warm from the running catch hollow chest where the feral heart echoes root-wounded back crossed legs golden, shining hair.
There is always one bossy ass bird. He digs himself a naked hole in the dense mockorange, puffs out his chest and sings at 11. The sparrows who live there too roll their eyes and go on about collecting tufts of red dog hair from between the fence slats to make their nests luxurious— and soundproof.
We were meant to dance I think This is how the, “Push me. Push me.” love rounds Into something more like sway With the long ache and “Hold me up Hold me up.”
-M. Ashley
This poem is about ten years old. One of my all-time favorites.
“How often have you sailed in my dreams. And now you come in my awakening, which is my deeper dream.” -Khalil Gibran, “The Prophet”
In my dream, I walked with my god through his sacred orange grove. The trees all had white bark. That was important somehow, the white bark coming off like ash, but healthy healthy. The trees were all so healthy.
Today, walking my puppy, I came across two lemons on the sidewalk. It was around the side of someone’s house, not near any trash cans. No wind had been blowing so they hadn’t come on the wind. There was no lemon tree leaning over the fence or anywhere nearby. It was as if someone had been walking that way and dropped these two lemons for me to see and follow like breadcrumbs, but sour and more vividly colored.
I thought of my god’s white barked orange grove and could this have been my god walking this corner, dropping these citrus fruits for me? Do oranges in the dream orchard become lemons on the waking dirty street? Dreams communicate this way in the sleeping and waking dream. Color color, symbol symbol, the promise of a taste. A god that walked that way before you. Mystery.